The phrase refers to films that share a distinct narrative and stylistic approach with Joel Schumacher’s 2002 thriller. These cinematic works typically feature protagonists confined to a limited physical space, facing intense psychological or physical duress, often fueled by an external antagonist or threat. Films such as “Buried” (2010) and “Locke” (2013) exemplify this confined thriller subgenre, where tension and drama are derived primarily from the character’s restricted environment and immediate circumstances.
The appeal of such films resides in their ability to generate suspense through claustrophobia and character-driven narratives. The limitations imposed by the setting force filmmakers to rely heavily on strong performances, tight scripting, and inventive camera work to maintain audience engagement. Historically, these limited-setting thrillers have proven cost-effective to produce, while still delivering a high level of intensity and psychological depth, often exploring themes of morality, survival, and the consequences of past actions.
